Attractiveness of aruci

The leather used in aruci products, the environment in which they are made, and the stories of the people who create them.

Attractiveness of aruci

The leather used in aruci products, the environment in which they are made, and the stories of the people who create them.

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The leather, the created environment, and the story of the person who creates the aruci goods.

The obsession with the creation of things

The beauty is beauty.

We are building things that are conscious of the beauty of the use of the beauty.
The case of the aruci is considered an essential component of utensils and redossip.
We don't commercialize things that feel a little bit uncomfortable.
You can create prototypes based on the opinions of the people who are out of use, and actually use them in the field to check the usage, durability, and the changes in the years.
He repeated improvements and produced a single piece of work.

Adjusting for 0.1mm

Depending on the leather used, the thickness is adjusted in units of 0.1mm, and the most suitable pillar materials are placed on the invisibility based on the load calculation.

It may be considered an extremely unrational cycle by manufacturers that generate products based on past accumulated data and other examples of other companies, but we are obsessed with the original and always want to continue to produce the best work at this time.

The Sobsession of Materials

to study the art of traditional art,

I have been researching foreign traditional art (such as dough, dyeing, and miscellaneous goods) in college, and I have a strong feeling for the selection of materials.

It is not just about design but also understanding the characteristics of the materials, whether it is a long-term use, and understanding the history of materials and reflecting the design of the materials in order to reflect the history of the materials.

the supreme leather-eagle shark

In particular, in leather, we are more than twice as obsessed with each other.

We have been able to tap into the information of hundreds of countries and overseas leather, and select the most appropriate leather for the most appropriate number of prototypes from the selection.

In the Noummeather, in order to express their own creation, we have created a complete original with the help of an old-established leather manufacturing company, with no effort and cost, from the selection of the original leather to the surface of the skin and the finish of the back side. It is because of absolute confidence that we use our company name and call it "Wazhneme".

Kodari to Technology

the environment that produces the best products

Our workshop is called Bodales.There is no sign of no harm to the free idea in manufacturing.
Other brands of designer, craftsman and creators often come up with private and frequent exchange of ideas, ideas, and materials exchange and technology, and a collaborative product is often created in such a way as to create a collaborative product.

The skilled craftsmen who are famous in the industry are also pleased with our style and have regularly held technical training courses for young artists.

Our thoughts_

Our base is an art gallery and gallery that has renovated the Komin family in Osaka City.

A craftsman in his twenties and forties became the center of the building, and in addition to the thesaCase Eron, it was made up of bags, purses, and interior miscellaneous goods.
In parallel with the company's own brand, the company is commissioned by domestic manufacturers and high-brand brands, and is also commissioned to manufacture and manufacture commissions.

In an environment where you can enjoy the building of something seriously and take it seriously, the case of the aruci is still being created today.

機能美

「用の美」を意識したものづくりを行なっております。aruci のシザーケースはあくまでも道具、されど身を装う重要な要素と捉えております。私たちは少しでも違和感の感じるモノは商品化しません。使い手の方々のご意見を基に試作品を作成し、実際に現場で使用し使い勝手や耐久性、そして経年変化の具合もチェックします。その上で改良を繰り返し、一つの作品を生み出します。

0.1mm単位の調整

使用する革に応じて、0.1mm単位で厚み調整を行い、見えない箇所にも負荷計算に基づき、最も適した芯材を入れ加工しております。
過去の蓄積されたデータや他社のサンプルを基に合理的に商品を生み出すメーカーからすれば、極めて非合理的なサイクルと思われるかもしれませんが、私たちはオリジナルにこだわり、常に現時点での最高傑作を生み出し続けたいと思っております。

伝統芸術の技術を研究

私が海外の伝統芸術(生地や染色、雑貨など)を大学で研究していたこともあり、素材選びには人一倍強い思いを持っております。
単にデザインだけでなく、素材の特性を理解し長期的な使用にも問題ないかは必ず確認し、素材の歴史を知り、作り手の思いを汲んだ上でデザインに反映するよう心がけております。

最高の革ワジヌメ

特に革においては、人二倍ほどこだわっております。
数百種類の国内・海外の革の情報を頭に叩き込み、選び抜いた数種類から試作品を作り最も適した革を選定しております。
ヌメ革においては自分たちのものづくりを表現するために老舗革メーカーご協力のもと、土台となる原皮の選定から表面の染色、裏面の仕上げまで、手間もコストも惜しむことなく完全オリジナルで作り上げました。 絶対の自信があるからこそ、私たちの社名を用い、”ワジヌメ”と名付けました。

最高の商品を生む環境

私たちの工房は至ってボーダレス。ものづくりにおいて自由な発想を阻害するしがらみは一切ありません。
他社ブランドのデザイナーや職人、クリエイターもプライベートで頻繁に立ち寄り、デザインやアイデア、素材の意見交換や技術の共有を行い、盛り上がるとその場でコラボ商品が生まれることもしばしば。
業界で有名な熟練職人の方も私たちのスタイルを気に入ってくださり、若手職人へ向けた技術講習を定期開催して下さっております。